The estimable artistry of the film maker cannot be missed in ‘Koode’; a film that slices right through your heart with its redolent take on human relationships. Working on a fantastical scenario that plays out with an outstanding charm, this gorgeously shot film is a memorable study on love, solitude, estrangement and above all, homecomings.
‘Neerali’ is quite like the vehicle that latches on to a tree trunk, hanging on for its dear life. It’s only a matter of time before the trunk gives way and the final drop down ensues; carrying down with it a script that is more of a slog, dialogues that are corny to the core and performances that are utterly misplaced in all the chaos.
‘My Story’ snuggles into its formulaic mould with ease, and settles down for a very conventional finale, after a couple of hours of romantic non-happenings. Sappy and corny by turns, its only claim to fame would be that it features two of the best actors in showbiz who despite all its daftness, give it their very best shot.
‘Lust Stories’ takes a sneak peek at what it means to be a woman with a defined sexuality in India, and offers at least a couple of unquestioned triumphs in the process. Sporting an impish charm and delight that is often uncharacteristic of commercial Indian cinema, this is an omnibus that is a slightly uneven bag for sure, but one that remains unified through its individual films’ highs and lows.
It’s quite a recognizable mystery franchise that ‘Abrahaminte Santhathikal’ lays out before you. And it’s this throwback familiarity that holds it back throughout, even as it tries hard to fit in every known thriller trope into its folds.
In a world that is often hostile to diversity, ‘Njan Marykutty’ brightly lights up a beacon of optimism. And in a world that has long revelled in gender jokes and gay innuendos, it all might sound a fairy tale, but then its significance lies in the suggestive reminder that it puts forth, that perhaps it’s time the transuniverse had their share of fairies as well!
There are a few things that ‘Mazhayathu’ achieves without being sermonizing and its real resonance lies in its exploration of an issue that is frighteningly real. It flashes a light on a society that thrives on suspicion, where we have lost the basic impulse and inclination to trust and hold someone – even the dearest ones around – in staunch conviction.
It’s a totally incoherent and embroidered universe that ‘Abhiyude Kadha Anuvinteyum’ lets its characters roam about it in. Shamelessly sentimental and cringingly syrupy, here is a film that misses its mark by a mile.
To title a film as ‘Kamuki’ and then have the loud mouthed girl protagonist have a bumpy landing on earth and that too in an auto rickshaw doesn’t sound that right. One of the initial precursors to a long-winding saga of extremities and stale jokes, here is a sequence that spells it out loud and clear that not everything is okay in love and war.
For long, nothing much happens in ‘Kuttanpillayude Sivarathri’ that would keep you focused. The crucial vibe of earnest storytelling arrives a bit too late here, and while it manages to work out the connections, the impact is considerably lessened.
While there has been no dearth to films set on an engineering campus of late, ‘B.Tech’ thankfully doesn’t stick to the common campus caper norms. After an easy, non-eventful former half, the film pulls out a present-day social issue out of its backpack and does a pretty okay job at brandishing it without much of a fuss.