Sugeeth in his latest film ’Shikari Shambhu’ seems to have taken to the belief that a tiger hard-pressed into a story that is as old as cinema itself could make all the difference. It gets caught somewhere between a comic book and a thriller, ending up neither.
Dijo Jose Antony’s ‘Queen’ is a flamboyant celebration of the campus, with all the colours, vigour and liveliness intact. However, beneath all this panache and flair lurks a theme that constantly shifts tone, that is imbalanced in tenor, and which carries a faint sense of familiarity all through.
‘Daivame Kai Thozham K.Kumar Akanam’ looks, sounds and seems a haphazardly joined piece that hardly manages to hold itself together. A laugh here or another one there is all that it has to offer, and for a film that runs for one hundred and fifty minutes, that is a pretty much hefty price to pay.
The brilliant source material is what makes Ajith Kumar’s directorial debut a forceful watch that depicts the tragic underside of a land that forever leaves fresh streaks of blood all over itself even before the older stains have dried off. It’s a sobering, significant film that draws you right into the turbulence that it depicts, and which throws a multitude of questions on your face leaving you tussling with the gruelling answers.
Anil Radhakrishnan Menon’s new film ‘Diwanjimoola Grand Prix’ is a far cry from his impressive debut ‘North 24 Kaatham’; a gem of a film that we invariably go back to every time a new movie of his is released. With a script that looks all in tatters, ‘Diwanjimoola Grand Prix’ is a tired out genre flick that squeezes in oodles of talk on culture and what not, but hardly brings anything new to the table.
It’s been a phenomenal film year without doubt, that saw Mollywood rise up to several fresh talents that came its way, while the hardened stalwarts and the standout film makers got busy doing what they have always been best at – crafting glorious cinematic pieces out of their singular visions and laying them out before the world. Here are five amazing film makers who have astonished us this year with the overwhelming manner in which they have reshaped the medium that is cinema.
The A-list when it comes to fantastic performances from women actors in Malayalam in 2017, comprises of five actors, three of whom are fresh faces that hold a lot of promise. Here they are!
The A-list when it comes to spectacular performances from male actors in Malayalam in 2017, comprises of five actors, all of whom have made massive splashes with their whopper acts in one or more films. Here goes.
The year is about to draw to a close, and it’s that time of the year when you loll on the couch and recount the best cinematic experiences that you have had in the course of the past twelve months that had swiftly flitted by. It has been one eventful year for sure, that saw many an appealing and inventive film, making it to the theatres and readily being applauded and acknowledged as first-rate efforts. What follows is anything but a comprehensive list, and what it endeavors to do instead, is to lay out five films that I deem as movies that are certainly not to be missed, and which make it to my final December chart this year!
In ‘Mayanadhi, director Aashiq Abu, armed with a dexterously penned screenplay, settles down to sensitively sketch a doomed tale of love. An impeccable reconstruction of an age-old narrative in an untested realistic setting, ‘Mayanadhi’ is the kind of film that holds a depth of meanings in those abstract gazes, a profundity of emotions in those unuttered words, and which leaves an inexplicable, seething sting at the upshot of it all.
Ajai Vasudev’s ‘Masterpiece’ has snippets from writer Udayakrishna’s former films, that the latter stitches together with a banal thriller thread and a few drained out jokes, making it appear a botched up film. And yet if you are the kind who might get goose bumps galore, watching Eddie hurl away a dozen goons all over the campus playground, you are more than welcome to grab that ticket right now.