Moothon (2019) Malayalam Movie Review – Veeyen


Geethu’s refusal to stick to stereotypes and her affecting reading of a love tale that tears up the social tapestry earn for ‘Moothon’ a distinctive place amidst the sparsely lit up landscape of queer cinema in the country. The howls and catcalls and the loud sniggers and the off-colour jokes in the cinema halls notwithstanding, it’s a cinematic composition that needs to be appreciated for its compassionate and unapologetically adult take on human sexuality.


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Pranaya Meenukalude Kadal (2019) Malayalam Movie Review – Veeyen


Pretty much similar to the unproductive climactic sequence that involves man and a shark and the ultimate finale that follows, ‘Pranaya Meenukalude Kadal’ tells a story that hardly transcends. With waves and waves of clichés lapping against its shores, this is a sea that appears as bland as it is blue.


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Jallikkattu (2019) Malayalam Movie Review – Veeyen


Lijo Jose Pellissery’s ‘Jallikkattu’ is a searing reminder of how primal we still remain and how readily the facades of culture and civilization topple down all around us, when the primordial instincts within us, run riot. Uncompromising to the core and often beguiling the viewer, this is a fascinating film set on an astonishing momentum that reaffirms the director’s reputation as a fabulous film maker who ruthlessly shreds up and throws genre conventionalities to the winds.


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Vikruthi (2019) Malayalam Movie Review – Veeyen


There is no way in which we could turn our faces away from the pertinence of the theme, and its truer than ever today that as technology overwhelms our lives, a button press could wreck a series of lives, including ours. In addition to the significant stream of thought that it offers, ‘Vikruthi’ is also is a decently appealing film that has its bountiful share of charming moments.


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Ganagandharvan (2019) Malayalam Movie Review – Veeyen


A story that could have struck gold a couple of decades back, Mammootty in a role that does justice neither to him nor to the hundreds of thousands of his admirers all over the world and slipshod film making that is all over the place – Ramesh Pisharody’s ‘Gana Gandharvan’ is best summed up in these three terse statements.


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Rubaru Roshni (2019) English Documentary Review – Veeyen


‘Rubaru Roshni’ is a stark reminder of the arbitrary ways traversed by the human mind and its immense potentiality to heal and be healed. Brimming with subtle nuances it narrates three heart wrenching tales that should serve as visceral memoirs of the immense power to forgive, if not to forget, and the indomitable goodness that we all sport within.


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