Mazhayathu (2018) Malayalam Movie Review – Veeyen


There are a few things that ‘Mazhayathu’ achieves without being sermonizing and its real resonance lies in its exploration of an issue that is frighteningly real. It flashes a light on a society that thrives on suspicion, where we have lost the basic impulse and inclination to trust and hold someone – even the dearest ones around – in staunch conviction.


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Kamuki (2018) Malayalam Movie Review – Veeyen


To title a film as ‘Kamuki’ and then have the loud mouthed girl protagonist have a bumpy landing on earth and that too in an auto rickshaw doesn’t sound that right.  One of the initial precursors to a long-winding saga of extremities and stale jokes,  here is a sequence that spells it out loud and clear that not everything is okay in love and war.


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Aabhaasam (2018) Malayalam Movie Review – Veeyen


‘Aabhaasam’ is a scathing lampoon on the disgruntlement – social, political, religious and sexual – that underlies a literate society, and is a daring overnight drive to where we stand today. It holds fast to none of the conventionalities that one would expect of a commercial pot-boiler and truly living up to its title tosses cinematic decorum right into the drains.


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Ee Ma Yau (2018) Malayalam Movie Review – Veeyen


With ‘Ee.Ma.Yau’ Lijo Jose Pellissery surpasses himself, asserts once and for all that he’s a master craftsman who sees his dough even in a theme that is as stiff and unmalleable as a corpse (pun intended), and astutely crafts a chimerical ode to mortality. Hauling a perfect family portrait off the walls, Lijo smashes it on the floor, leaving us horrified beside a blue, lifeless body that grows colder by the minute, a bunch of riotous, bawling mourners and glimpses of nothing less than what looks like hell opening up above, as streaks of lightning intermittently part the dark skies.


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