Prem Kumar weaves together an intimate love tale that probably requires a certain leap of faith, which preserves a pristine purity in its narrative. Devastating and delightful by turns, it’s a tragic tale of a man and a woman hopelessly caught in a vortex of love, continually washed towards and away from each other, with not a leeway of redemption anywhere in sight.
Roshan Andrews appears out of his depth in ‘Kayamkulam Kochunni’, and the film appears more like a misspent opportunity than the highly agreeable jaunt that it should have been. Mounted on an epic scale, this is a film where the gargantuan efforts are all conspicuous, but the results quite regrettably, patchy and uneven.
‘Mandharam’ has very little special in it, despite the individual charms of all its actors. Scratching not much deeper than the surface of its characters, it’s a film that fails to find its own voice, forget its fragrance.
What ‘Lilli’ with the double ‘L’ and ‘I’ would probably be remembered for, is the flicker of sure promise that its director Prasobh Vijayan displays. The debutante filmmaker does get all his survival thriller tropes right and crafts a terror climate with great flair, but falters in his choice of a script that thwarts his ambitions.