‘Rubaru Roshni’ is a stark reminder of the arbitrary ways traversed by the human mind and its immense potentiality to heal and be healed. Brimming with subtle nuances it narrates three heart wrenching tales that should serve as visceral memoirs of the immense power to forgive, if not to forget, and the indomitable goodness that we all sport within.
Arun directs his experienced and gifted cast quite sensitively, and rewards us with one of the most emotionally charged films of the year. This is also the reason why ‘Finals’ turns out to be my personal pick from the festival releases this year – a film that skillfully blends a heartbreaking tale with impeccable performances and some genuine, ingenious directorial vision.
‘Ittymani: Made in China’ lives up to its title in that it strikes you as a disastrous duplicate, and a trite one at that. Preposterous and preachy to the core, this is a film that does no justice to the talented thespians that it has on board.
It goes without saying that it’s a miracle that the film makers believed that a theme as this could work wonders in 2019. And it’s even a greater marvel that they got several sensible heads to give a nod to this project that could have probably made a ripple a good fifteen or twenty years back.
Appearing laboured and disconnected, and carrying very little intrigue, ‘Love Action Drama’ is a perfect example of what could be termed as fluff entertainment. There is barely a silent moment in this almost two and a half hour long sight and sound blast, and all you keep wishing for amidst all the cacophony is that it had a sound story to tell as well.