‘Edakkad Battalion 06’ is a laborious endeavour that despite all its good intentions fails to hit the bull’s eye. This is a film that you anticipate would let out a high sounding roar, but which ends up delivering a strenuous whimper instead.
There are bound to be several viewers out there who would consider ‘Aadya Rathri’ as undamaging, passable entertainment, which indeed it is. But it has nothing new or fresh to bring to the genre, and seriously suffers from the limitations of its imagination.
Pretty much similar to the unproductive climactic sequence that involves man and a shark and the ultimate finale that follows, ‘Pranaya Meenukalude Kadal’ tells a story that hardly transcends. With waves and waves of clichés lapping against its shores, this is a sea that appears as bland as it is blue.
Lijo Jose Pellissery’s ‘Jallikkattu’ is a searing reminder of how primal we still remain and how readily the facades of culture and civilization topple down all around us, when the primordial instincts within us, run riot. Uncompromising to the core and often beguiling the viewer, this is a fascinating film set on an astonishing momentum that reaffirms the director’s reputation as a fabulous film maker who ruthlessly shreds up and throws genre conventionalities to the winds.
There is no way in which we could turn our faces away from the pertinence of the theme, and its truer than ever today that as technology overwhelms our lives, a button press could wreck a series of lives, including ours. In addition to the significant stream of thought that it offers, ‘Vikruthi’ is also is a decently appealing film that has its bountiful share of charming moments.