‘Aashiqui’ was a one of a kind film, that stirs up quite a lot of memories in me! The year was 1990, and romance was in the year. And even as Rahul Roy and Anu Aggarwal seemed like they would be around for a 100 years more on screen, it was the music director duo, Nadeem and Shravan who stormed the Bollywood scene like never before.
There was hardly anyone around with a basic knowledge of Hindi, who wasn’t humming the tracks, and I remember standing all proud in front of Lighthouse, the then music destination at Thampanoor, Trivandrum, having finally managed to own an audio cassette that was, if I remember right, priced at twenty five rupees. The music company was T Series. Continue reading “Saanson Ki Zaroorat Hain Jaise (Aashiqui) – Cover Version”
Running for almost three long hours, ‘Raeez’ is a grim, and yet mostly mindless gangster flick that does not leave you breathless. Appearing puffy and trite by turns, it pushes in all the gangster chestnuts in a rather bloated package.
Ecstasy gives way to an odd emotion that almost borders on the uncertain, when the protagonist in ‘Raeez’ is informed of an impending new arrival in his family, and is almost immediately assigned a task to bump someone off the line. This conflicting temperament is what marks the psyche of don that we get to see in the film, but the dazzling sparkle here and there that one gets to witness in Shahrukh Khan’s ‘Raeez’ does seem too few and very far in between.
Rahul Dholakia’s film seems to be in a no compromise mood, and sets its story in Gujarat. It tells us the rise, fall and rise of Raeez (Shahruk Khan), a Muslim gangster, who would stop at nothing, until he get to pull that mighty throne right towards him and majestically recline on it once and for all. This isn’t an undemanding ride for him, and the blood that is spattered all across an eventful life, makes him want to mull over it time and again.
Continue reading “Raees (2017) Hindi Movie Review”