Director Jafar Panahi hops aboard a taxi in Tehran, and lends an ear to his passengers, as they in turn, bare their minds to the driver. His passengers range from a vendor of pirated videos to his young niece who is all set to shoot a short film, from a human rights lawyer to a couple of women with gold fishes.
Asghar Farhadi’s slow moving drama is one that seems to hold plenty of promises in its fold, with characters simply refusing to relive their past lives even as they remain obsessed with it, almost to the point of devastation. Running for almost two hours, ‘Le Passe’ is a painfully sluggish exploration of a truth that would redefine a few lives that lie around it. Continue reading “Le Passe (2013) French Movie Short Review”