Vishwa Vikhyatharaya Payyanmar (2017) Malayalam Movie Review – Veeyen


‘Vishwa Vikhyatharaya Payyanmar’ is a dismayingly frivolous affair that should disappear into oblivion much faster than it probably thought it would. Quickly running out of charms, it’s a disposable cinematic experience that is peeled and tossed away, the moment you walk out of the theatres.  


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Akasha Mittayi (2017) Malayalam Movie Review – Veeyen


While it remains that there is little wrong with blatantly brandishing a view point through a film, to remain blind to the manifold complexities and fine nuances that do not let the real world be easily partitioned into clear cut cubicles of extremities, could prove to be fatal. This takes a toll on the believability of the film, without doubt, and strips it of the possibilities of reflection, if any.


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Crossroad (2017) Malayalam Movie Review – Veeyen


‘Crossroad’ is a loosely screwed in ensemble,  pieces of which keep falling off every time it tries to punch in a point. It’s unlikely to be remembered as a benchmark in portmanteau films, and leads you into the hum-ho zone in no time. Strike off those last three shorts, and you might literally find yourself stranded on the crossroads with this one.


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Kaattu (2017) Malayalam Movie Review – Veeyen


A primitive allure that had been long lost makes a revisit through ‘Kaattu’, and it’s a peculiar combo of the dismal and the lyrical that Arun Kumar Aravind comes up with in his new film. It’s a complex character drama that is tonally and visually notable; a foreboding and dark tale that makes for austere viewing and told with an uncanny grace.


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Lava Kusha (2017) Malayalam Movie Review – Veeyen


The very evident intent is to craft a wild and crazy run, but the character development in ‘Lava Kusha’ renders it a routine endeavour. The fleeting moments of humour aren’t enough to retrieve this middling enterprise that makes you forget even the odd smiles that it generates by the end of its agonizingly extended running time.


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Tharangam (2017) Malayalam Movie Review – Veeyen


It could only be a real zany mind that would have the nerve to start off his film the way Dominic Arun does, that within minutes has the audience dropping their jaws – either in amazement or in morbid fear of what’s in store for the next couple of hours. The effect is pretty much similar to what Terry Zwigoff accomplishes with ‘Bad Santa’, where he adeptly replaces the chubby, soft footed, white bearded old man that we have long been accustomed to, with a drunken, bad-ass, swearing champ, Billy Bob Thornton.


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