‘Ayal Sasi’ strikes us as a counter measure to religious bigotry and cultural hysteria. Sajin Baabu and his deliciously irreverent work promises to force no amendments; rather it revels in an odd sense of acceptance and focuses on the absurdity of it all, where in lies its absolute charm.
At the end of an extremely long narration, vice is vanquished and righteousness triumphs. And you look back at it and what you see is an overly self indulgent film that never really knew where to knock it off, and which has instead evolved into an easily foreseeable experience that is obsessed with its own importance.
The incidental pleasures that Dileesh Pothan’s film ‘Thondimuthalum Driksakshiyum’ offers are many, like the sardonic wisecracks and the continual cackles, while it fundamentally holds an indelible charm inside. A luminously acted rumination on the ifs and buts of life, ‘Thondimuthalum Driksakshiyum’ has enough emotional and dramatic drive to let it qualify as a class act with exceptional intelligence and grace.
It seems to be raining title misfires and Leo Thaddeus’ latest film ‘Oru Cinemakkaran’ swiftly adds itself to the club. Granted that there is the incessant talk of being in films and that the principal character is a filmmaker aspirant, and yet ‘Oru Cinemakkaran’ is as much about cinema as fulsome has to do with being full.
‘Role Models’ neatly fritters away a talented cast and comes across as more galling than humorous. This is a missed opportunity for sure, and one that lacks any real spark or spur.
‘Avarude Raavukal’ falls short of the basic dramatic tension that drives a film forward. Running for two hours and eleven minutes, it fruitlessly tries to draw out a tissue thin thought into a feature film that sloppily lands all over the place.
Even if you choose not to pay heed to the believability factor, ‘Careful’ remains resolutely rooted in mawkish mediocrity. It hosts a promising idea that is mostly lost in execution, and comes across as a hurriedly scripted didactic film on traffic rules.
Ever since the high voltage trailer of ‘Tiyaan’ was released a couple of days backs, expectations regarding the film have sky rocketed. Here are five reasons why I believe ‘Tiyaan’ might be worthy of all the attention that it has already garnered!
This isn’t the first time that we have seen men acting like juvenile boys in Malayalam cinema, and it certainly won’t be the last. But what does one do, when a film cannot even make a respectable use of the clichés that have been garnered from all around?
Rohith VS in his debut film ‘Adventures of Omanakuttan’ tries his best to shift away from a prosaic narrative, but his earnest efforts are quashed by a script that runs a bit too long, and gets a bit too weary after a while. Flaunting sparks of a promising film maker every once in a while, it’s a movie that places its entire gamble on an innovative plot device, and partially wins.
Basil Joseph’s tweaking of the sport movie recipe in ‘Godha’ works wonders and lifts it up straight on to a prized zone occupied by some of its triumphant predecessors. Strikingly directed and deftly written, ‘Godha’ steps up the rules of the game and wins the combat in a superb take-down.