Dulquer Salmaan has launched the title of his new film with Amal Neerad on his Facebook page, and for fans of the young actor, looks like its jubilation time. The film has been titled ‘CIA’ and the acronym, quite contrary to expectations, reads ‘Comrade in America’. Continue reading “Amal Neerad, Dulquer Salmaan, Old Monks & the CIA!”
There used to be a time when fans of the two lead actors in Mollywood, Mammootty and Mohanlal, engaged in a war of words – online and offline – every time a film of either of the actors was released. One thought, things would get better as years passed by, but looks like things have only got worse. Continue reading “Aren’t we done with the number games in Mollywood yet?”
(Pic courtesy: www.timesofap.com)
The transsexual politics in South Indian cinema has been solely one-dimensional, what with the transsexuals, largely occupying the fringes of the industry as extra artistes or makeup assistants. Even when they have been offered roles in films, they have often been relegated to comic images of gaudily attired, men-thirsty vampires. Continue reading “Anjali Ameer and the Changing Transsexual Politics in South India Cinema!”
The extent of freedom that is attributed to an artist, takes into consideration their insights, and here is where the precise demarcation between ‘artistic freedom’ and ‘freedom of art’ exists. It is assumed however, that a democracy lets the artist enjoy both, and when it is curtailed, they cry foul, demanding that censorship of all kinds be eradicated once and for all. Continue reading “The Age of Artists and Assaults!”
The second teaser of the horror thriller ‘Ezra’ that has been directed by Jay K, and which stars Prithviraj Sukumaran, Priya Anand, Tovino Thomas, Sujith Shanker and Vijayaraghavan among others has been released. Things seem to be getting better with each teaser, and here is already looking forward to Feb.10! Continue reading “‘Ezra’ and the opened Dybbuk box!”
‘Aashiqui’ was a one of a kind film, that stirs up quite a lot of memories in me! The year was 1990, and romance was in the year. And even as Rahul Roy and Anu Aggarwal seemed like they would be around for a 100 years more on screen, it was the music director duo, Nadeem and Shravan who stormed the Bollywood scene like never before.
There was hardly anyone around with a basic knowledge of Hindi, who wasn’t humming the tracks, and I remember standing all proud in front of Lighthouse, the then music destination at Thampanoor, Trivandrum, having finally managed to own an audio cassette that was, if I remember right, priced at twenty five rupees. The music company was T Series. Continue reading “Saanson Ki Zaroorat Hain Jaise (Aashiqui) – Cover Version”
With Mohanlal releasing the first look poster of the Major Ravi film ‘1971: Beyond Borders’, a day back, there have been discussions galore as to whether the film would mark the comeback of its director Major Ravi. Ravi has been on a walk downhill, what with his recent films like ‘Picket 43’ and ‘Karma Yodha’ not rising up to the expected mark. Continue reading “Will Major Ravi be back with ‘1971: Beyond Borders’?”
I have always wondered how much an award would mean to an actor, even as some among them assert that they remain indifferent to the accolades that come their way. And then, there are the few others who do agree that those recognitions do mean a lot.
There are instances however, when you watch an actor perform on screen, and with your hair standing on its ends, see them walk down the aisle in a few months, to receive all the major awards of the year. One such instance was when I got to see the incredible young actor Chethan Jayalal on screen, in the delightful ‘Guppy’, directed by Johnpaul George. Continue reading “Thanks for those Guppy memories, Chethan!”
Running for almost three long hours, ‘Raeez’ is a grim, and yet mostly mindless gangster flick that does not leave you breathless. Appearing puffy and trite by turns, it pushes in all the gangster chestnuts in a rather bloated package.
Ecstasy gives way to an odd emotion that almost borders on the uncertain, when the protagonist in ‘Raeez’ is informed of an impending new arrival in his family, and is almost immediately assigned a task to bump someone off the line. This conflicting temperament is what marks the psyche of don that we get to see in the film, but the dazzling sparkle here and there that one gets to witness in Shahrukh Khan’s ‘Raeez’ does seem too few and very far in between.
Rahul Dholakia’s film seems to be in a no compromise mood, and sets its story in Gujarat. It tells us the rise, fall and rise of Raeez (Shahruk Khan), a Muslim gangster, who would stop at nothing, until he get to pull that mighty throne right towards him and majestically recline on it once and for all. This isn’t an undemanding ride for him, and the blood that is spattered all across an eventful life, makes him want to mull over it time and again.
86? You gotta be kidding me!
86 new comers in his new film ‘Angamali Diaries’ is what Lijo Jose Pellissery has in store! I still remember watching his debut film ‘Nayakan’ at the Dhanya Theatre in Trivandrum, and wondering what on earth had actually hit me! I wasn’t wrong, and he followed it up soon with the crisp ‘City of God’ and the adorable ‘Amen’. And having taken one look at the trailer, I feel the man is back. And how!! Take a look at the trailer! Continue reading “86 is just a number, for Lijo Jose Pellissery!”