While there has been no dearth to films set on an engineering campus of late, ‘B.Tech’ thankfully doesn’t stick to the common campus caper norms. After an easy, non-eventful former half, the film pulls out a present-day social issue out of its backpack and does a pretty okay job at brandishing it without much of a fuss.
‘Aravindante Athidhikal’ has a plot that is very basic, but filled with characters that are lively enough to sustain viewer attention. It might not be the most original movie ever either, but is a sweet retelling of a familiar tale, that still leaves a few giggles and a faint gulp down your throat.
‘Kuttanadan Marpappa’ tries to make do with the done-to-death romantic tropes and ends up a much less assured version that it originally must have set out to be. The leaden comic touches do not much help either, and it isn’t a wonder that it ends up in the water, quite like many of its characters who literally do in the film.
It’s a nothing plot that evolves into nothing that messes up ‘Goodalochana’. Strange and sad, since all that colour, energy and flair that it had in store, looks regrettably frittered away in this stratagem sans a strong spine.
‘Vishwa Vikhyatharaya Payyanmar’ is a dismayingly frivolous affair that should disappear into oblivion much faster than it probably thought it would. Quickly running out of charms, it’s a disposable cinematic experience that is peeled and tossed away, the moment you walk out of the theatres.
The very evident intent is to craft a wild and crazy run, but the character development in ‘Lava Kusha’ renders it a routine endeavour. The fleeting moments of humour aren’t enough to retrieve this middling enterprise that makes you forget even the odd smiles that it generates by the end of its agonizingly extended running time.
Despite a premise that is loaded with possiblities that I’m sure most viewers would have taken to eagerly with a bit of inquisitiveness, ‘Bobby’ reaches nowhere near any of its triumphant predecessors. It lacks the tastefulness that could have done it tons of good, and instead strikes you as a dramatic overstatement on love that attempts to defy age constraints.
Even if you choose not to pay heed to the believability factor, ‘Careful’ remains resolutely rooted in mawkish mediocrity. It hosts a promising idea that is mostly lost in execution, and comes across as a hurriedly scripted didactic film on traffic rules.
Rohith VS in his debut film ‘Adventures of Omanakuttan’ tries his best to shift away from a prosaic narrative, but his earnest efforts are quashed by a script that runs a bit too long, and gets a bit too weary after a while. Flaunting sparks of a promising film maker every once in a while, it’s a movie that places its entire gamble on an innovative plot device, and partially wins.
Basil Joseph’s tweaking of the sport movie recipe in ‘Godha’ works wonders and lifts it up straight on to a prized zone occupied by some of its triumphant predecessors. Strikingly directed and deftly written, ‘Godha’ steps up the rules of the game and wins the combat in a superb take-down.
The feminist ideologies that ‘Raamante Eden Thottam’ puts to the fore accentuate that life for a woman lies further beyond the restrictive realms of a despondent marriage. There is a fierce sense of gravity that shrouds the smile on Malini’s face as she steadily walks towards the camera in the final scene; and it is probably this bright moment that would make us overlook all those detracting blotches that had marked her long journey.