The point that ‘Rosapoo’ is trying to get at, remains elusive throughout. The dull stretches are hardly smoothed out, and while trying to achieve too much, it settles for much less. Wrapped up in a glitter cover all around, ‘Rosapoo’ is a dreary box that springs up zero surprises on you when finally tugged open; a gauche comedy gawks at you from beneath the stylish production design.
The brilliant source material is what makes Ajith Kumar’s directorial debut a forceful watch that depicts the tragic underside of a land that forever leaves fresh streaks of blood all over itself even before the older stains have dried off. It’s a sobering, significant film that draws you right into the turbulence that it depicts, and which throws a multitude of questions on your face leaving you tussling with the gruelling answers.
An honourable try without doubt, but one which is strangely superficial, ‘Vimaanam’ strives to be exuberant, but turns out to be sluggish instead. A film that has its heart all over the place, this is an airplane that takes a while to take off, and which when it finally does, struggles to smoothly touch ground again.
It’s a nothing plot that evolves into nothing that messes up ‘Goodalochana’. Strange and sad, since all that colour, energy and flair that it had in store, looks regrettably frittered away in this stratagem sans a strong spine.
The incidental pleasures that Dileesh Pothan’s film ‘Thondimuthalum Driksakshiyum’ offers are many, like the sardonic wisecracks and the continual cackles, while it fundamentally holds an indelible charm inside. A luminously acted rumination on the ifs and buts of life, ‘Thondimuthalum Driksakshiyum’ has enough emotional and dramatic drive to let it qualify as a class act with exceptional intelligence and grace.