The dramatic pressure is way too grim, and the film grinds on persistently, finally ending up a riveting piece. ‘Ayyappanum Koshiyum’ remains without doubt a commendable endeavour, whichever way you look at it, but it just falls short of entering my top favourite list, because it does take a bit too long to get where it wants to be.
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Mass, double mass, and triple mass; all said and done, the final scene of ‘Madhura Raja’ is all suggestive – that ‘Minister Raja’ will follow. So much has happened and the next time, I tell an exhausted self – you should probably think of taking down notes.
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‘Lonappante Mamodeesa’ is a decent, easy watch, that despite all its hitches retains its capacity to charm. It’s also an assertion as to how even the commonplace, at times, has the ability to draw and delight.
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