Jallikkattu (2019) Malayalam Movie Review – Veeyen


Lijo Jose Pellissery’s ‘Jallikkattu’ is a searing reminder of how primal we still remain and how readily the facades of culture and civilization topple down all around us, when the primordial instincts within us, run riot. Uncompromising to the core and often beguiling the viewer, this is a fascinating film set on an astonishing momentum that reaffirms the director’s reputation as a fabulous film maker who ruthlessly shreds up and throws genre conventionalities to the winds.


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French Viplavam (2018) Malayalam Movie Review – Veeyen


K B Maju’s ‘French Viplavam’ is a rebellion gone all awry, though it dabbles with a theme that holds plenty of contemporary significance. Satire is what the film has in mind, but what it ultimately turns out to be is a drab cinematic piece that has neither the vigour nor the vitality that characterizes a raging revolution.


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Ee Ma Yau (2018) Malayalam Movie Review – Veeyen


With ‘Ee.Ma.Yau’ Lijo Jose Pellissery surpasses himself, asserts once and for all that he’s a master craftsman who sees his dough even in a theme that is as stiff and unmalleable as a corpse (pun intended), and astutely crafts a chimerical ode to mortality. Hauling a perfect family portrait off the walls, Lijo smashes it on the floor, leaving us horrified beside a blue, lifeless body that grows colder by the minute, a bunch of riotous, bawling mourners and glimpses of nothing less than what looks like hell opening up above, as streaks of lightning intermittently part the dark skies.


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Swathanthryam Ardharathriyil (2018) Malayalam Movie Review – Veeyen


Tinu Pappachan in ‘Swathanthryam Ardharathriyil’ seeks to craft an ultimate jailbreak film, and constructs a sweaty, scorching hell of a prison at Kottayam for the purpose. He then gets his inmates ready for the final getaway on a midnight express, and takes us along on their trail to escape, that has its fair share of moments and a few non-moments.


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