Aanakkallan (2018) Malayalam Movie Review – Veeyen


‘Aanakkallan’ is a disappointment of colossal  proportions that makes you want to reach out to Biju Menon and point out that he needs to take a breather. One long look at the kind of choices that he has made of late, and he should sense that it’s time for him to perhaps take it a bit slow, lest the crowd enthusiasm in his films drops down like a stone tossed from the top of a hill.


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Chalakkudikkaran Changathi (2018) Malayalam Movie Review – Veeyen


Vinayan’s ‘Chalakkudikkaran Changathi’ is ultimately undone by the flaws in its script. It hardly lays bare the multiple layers that made Mani’s persona appear so appealing and complex to people like us, a principal failing that leaves Mani’s screen portrait a far from perfect one.


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Kuttanadan Marpappa (2018) Malayalam Movie Review – Veeyen


‘Kuttanadan Marpappa’ tries to make do with the done-to-death romantic tropes and ends up a much less assured version that it originally must have set out to be. The leaden comic touches do not much help either, and it isn’t a wonder that it ends up in the water, quite like many of its characters who literally do in the film.


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Street Lights (2018) Malayalam Movie Review – Veeyen


Shamdat decides to go for a partly experimental account in ‘Street Lights’, but gets stuck with mostly one-dimensional characters in underdeveloped situations. With an add-on climax that goes on a few minutes even after all the action has come to a close, ‘Street Lights’ seems and sounds a bit too contrived to be real.


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Aana Alaralodalaral (2017) Malayalam Movie Review – Veeyen


‘Aana Alaralodalaral’ tries to make the best of what it has, but the sad thing is it doesn’t have much, and the little it has, has an outmoded air to it. The ultimate result of this trumpet that lasts for a couple of hours but which seems and sounds much longer, is nothing but mediocrity, and that too, stacks of it.  


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Aadu 2 (2017) Malayalam Movie Review – Veeyen


‘Aadu 2’ takes off not decidedly from where its former part had left off, since definitiveness certainly isn’t something that ‘Aadu Oru Bheekara Jeeviyanu’ could pride itself on. It’s a celebration of nothingness again, and through all the noise, clamour, hoots and wolf whistles, Paappan and his team vanish, perhaps to reappear a couple of years later, in another sequel.


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