The fine intent notwithstanding, ‘Shubharathri’ does not seem to acknowledge the tremendous transformation that has occurred to cinema in this corner of the world. A bit too aged to make an impression on today’s viewers, it’s a film with a valid message that unquestionably deserved a much finer treatment.
Barring its protagonist who has a stammer-with-a-reason for a change, ‘Kodathi Samaksham Balan Vakeel’ is a swing and miss that plays a safe game throughout.
Looking back, ‘Kammara Sambhavam’ strikes you as a strange case of having a bit too much and yet having never even nearly enough. Teeming with characters, ornately mounted and extensively shot, it’s the sort of film that could have been an epic, but ends up anything but a legend instead.
Arun Gopi’s debut film ‘Ramaleela’ stringently adheres to the requisites of a political thriller , and weaves a tapestry of recognized scenarios to keep the exigencies in check. He is let down by the writing though, where a palpable plot that starts off pretty well meanders into a course that offers much less cheer.
‘Georgettan’s Pooram’ is a festive film that has its crackers bursting all over the place, hoping to enthuse its viewers with a glittery show of sound and colours. The show over, its blankness becomes way too apparent, and only the distant reverberations of the blasts and bangs and the pungent odour of the smoke remain.