‘Kalyanam’ makes a celebration of being lost in its formulaic twirls, and forces an unabashed repetition of household instances from a dozen romantic capers of yore. It’s a pretty tiresome marriage, as my fellow spectator insists, one of which, the jubilations are very unlikely to last long.
Shamdat decides to go for a partly experimental account in ‘Street Lights’, but gets stuck with mostly one-dimensional characters in underdeveloped situations. With an add-on climax that goes on a few minutes even after all the action has come to a close, ‘Street Lights’ seems and sounds a bit too contrived to be real.
Sugeeth in his latest film ’Shikari Shambhu’ seems to have taken to the belief that a tiger hard-pressed into a story that is as old as cinema itself could make all the difference. It gets caught somewhere between a comic book and a thriller, ending up neither.
‘Aana Alaralodalaral’ tries to make the best of what it has, but the sad thing is it doesn’t have much, and the little it has, has an outmoded air to it. The ultimate result of this trumpet that lasts for a couple of hours but which seems and sounds much longer, is nothing but mediocrity, and that too, stacks of it.