‘Chanakya Thanthram’ lacks the writing to be a fantastic, edge-of-the-seat thriller. It simply goes about its job, and feels like many of its unproductive predecessors, but with a variant, pertinent note thrown into a messed up plot.
‘Kuttanadan Marpappa’ tries to make do with the done-to-death romantic tropes and ends up a much less assured version that it originally must have set out to be. The leaden comic touches do not much help either, and it isn’t a wonder that it ends up in the water, quite like many of its characters who literally do in the film.
It’s a nothing plot that evolves into nothing that messes up ‘Goodalochana’. Strange and sad, since all that colour, energy and flair that it had in store, looks regrettably frittered away in this stratagem sans a strong spine.
‘Vishwa Vikhyatharaya Payyanmar’ is a dismayingly frivolous affair that should disappear into oblivion much faster than it probably thought it would. Quickly running out of charms, it’s a disposable cinematic experience that is peeled and tossed away, the moment you walk out of the theatres.
‘Sherlock Toms’ is a daft film that is neither alluring nor even remotely interesting. Forget all the incoherence that underlies it, it’s a comedy that glumly fails to conjure up even some simple laughter that would render it memorable or worthwhile.
Baiju is certainly someone we have known from close quarters; in fact he might even be you or me, and Kumbalam might easily be that tiny hamlet where we had learned to love, lose and live, and before we ourselves knew, had grown up, leaving behind a trail of evocative memories. Clever, enjoyable, witty and poignant by turns, ‘Rakshadhikari Baiju Oppu’ is an entertaining character drama with a subtle, pertinent note concealed within its folds.