On retrospect, there is hardly anything redeeming in Siddique’s ‘Big Brother’ that would leave you exhilarated or even mildly energised. All this film does manage to do is bring back fond reminiscences of those wonderful films that the film maker had once gifted us with, and dwell on how remote and futile his recent cinematic endeavours had emerged to be.
‘Ittymani: Made in China’ lives up to its title in that it strikes you as a disastrous duplicate, and a trite one at that. Preposterous and preachy to the core, this is a film that does no justice to the talented thespians that it has on board.
Vinayan’s ‘Chalakkudikkaran Changathi’ is ultimately undone by the flaws in its script. It hardly lays bare the multiple layers that made Mani’s persona appear so appealing and complex to people like us, a principal failing that leaves Mani’s screen portrait a far from perfect one.
‘Chunkzz’ is a catastrophic celebration of sexist jokes that will have you running for cover. In his second directorial venture after ‘Happy Wedding’, Omar Lulu tries his luck with the same trite formula once again, and scores further down the rung.
‘Avarude Raavukal’ falls short of the basic dramatic tension that drives a film forward. Running for two hours and eleven minutes, it fruitlessly tries to draw out a tissue thin thought into a feature film that sloppily lands all over the place.