‘Ittymani: Made in China’ lives up to its title in that it strikes you as a disastrous duplicate, and a trite one at that. Preposterous and preachy to the core, this is a film that does no justice to the talented thespians that it has on board.
‘Njan Prakashan’ does not break any new ground when it comes to the tale that it narrates. And yet, it is a film that needs to be watched for the performer that Fahadh Faasil is, and as much corny as it might sound to state that the actor in him has surpassed the ruts and dips in the script yet again, it couldn’t be any closer to actual fact.
There is a final tornado that Sruthy’s mom rakes up at a police station in ‘Uncle’ that makes you wish the rest of the film had half the vigour that this closing scene has. The social undercurrents are laid bare, the message is served, the speeches are done and the obligatory slap delivered. Inflated to the point of having swelled beyond recognition, ‘Uncle’ could have been the riveting film that it had aspired to be, in less than half its current screen time.
‘Aravindante Athidhikal’ has a plot that is very basic, but filled with characters that are lively enough to sustain viewer attention. It might not be the most original movie ever either, but is a sweet retelling of a familiar tale, that still leaves a few giggles and a faint gulp down your throat.