Anjaam Pathira (2020) Malayalam Movie Review – Veeyen


‘Anjaam Pathira’ elevates itself much higher than the usual plains occupied by a standard murder mystery, and is a thrilling ride that is gripping to the core. With a whopper winner as this hitting the screens as January just about gets under way, looks like we might have a superb film year coming up this time around!


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Virus (2019) Malayalam Movie Review – Veeyen


‘Virus’ is an effectual ensemble piece that marvellously bonds together the pieces of a jigsaw, thereby rendering complete, a story of how fortitude eventually stamps over irrepressible fear. Emotionally pervasive and unnervingly real, It is also the kind of film that makes you go for a few extra dabs of your hand sanitizer, as you get all set to key down a review.


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Kuttanadan Marpappa (2018) Malayalam Movie Review – Veeyen


‘Kuttanadan Marpappa’ tries to make do with the done-to-death romantic tropes and ends up a much less assured version that it originally must have set out to be. The leaden comic touches do not much help either, and it isn’t a wonder that it ends up in the water, quite like many of its characters who literally do in the film.


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Diwanjimoola Grand Prix (2018) Malayalam Movie Review – Veeyen


Anil Radhakrishnan Menon’s new film ‘Diwanjimoola Grand Prix’ is a far cry from his impressive debut ‘North 24 Kaatham’; a gem of a film that we invariably go back to every time a new movie of his is released. With a script that looks all in tatters, ‘Diwanjimoola Grand Prix’ is a tired out genre flick that squeezes in oodles of talk on culture and what not, but hardly brings anything new to the table.


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Varnyathil Aashanka (2017) Malayalam Movie Review – Veeyen


There are a few masterly strokes of the film maker that are on display in ‘Varnyathil Aashanka’ that point at how compelling a film it could actually have been. It’s a figure of speech that gets its act only partly right, and its hesitance to fully embrace its goofiness, renders it a much lesser movie than one anticipates it to be.


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Ramante Eden Thottam (2017) Malayalam Movie Review by Veeyen


The feminist ideologies that ‘Raamante Eden Thottam’ puts to the fore accentuate that life for a woman lies further beyond the restrictive realms of a despondent marriage. There is a fierce sense of gravity that shrouds the smile on Malini’s face as she steadily walks towards the camera in the final scene; and it is probably this bright moment that would make us overlook all those detracting blotches that had marked her long journey.


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