Cinema, Culture & More
‘Oru Kuprasidha Payyan’ is undermined by quite a few problems and critically lacks the intrigue that could have made a difference. Its overwhelming generic obviousness makes it a slow sinking ship that tugs down along with it a few genuine, terrific performances as well.
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‘Crossroad’ is a loosely screwed in ensemble, pieces of which keep falling off every time it tries to punch in a point. It’s unlikely to be remembered as a benchmark in portmanteau films, and leads you into the hum-ho zone in no time. Strike off those last three shorts, and you might literally find yourself stranded on the crossroads with this one.
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