Ganagandharvan (2019) Malayalam Movie Review – Veeyen


A story that could have struck gold a couple of decades back, Mammootty in a role that does justice neither to him nor to the hundreds of thousands of his admirers all over the world and slipshod film making that is all over the place – Ramesh Pisharody’s ‘Gana Gandharvan’ is best summed up in these three terse statements.


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Unda (2019) Malayalam Movie Review – Veeyen


Khalid Rahman’s ‘Unda’ is intelligent film making, and the ideological vantage point that it roots for, is one that has its fingers directed at the political scenario of one of the biggest democracies in the world. Never for a moment pretending to be erudite, ‘Unda’ is loaded with terrific insights that are fired away in quick succession, rendering it one of the most thought provoking Malayalam films in recent times.


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Peranbu (2019) Tamil Move Review – Veeyen


Brilliantly performed, visually striking and deftly structured, ‘Peranbu’ is an avowal of a fortune that we live with every day, and a prompt to remain forever thankful for the miracle called life. Beyond the personal odyssey of a dad and a daughter caught up in a whirlwind of existence, it is an exemplary exploration of faith, compassion and above everything else, acceptance.  


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Uncle (2018) Malayalam Movie Review – Veeyen


There is a final tornado that Sruthy’s mom rakes up at a police station in ‘Uncle’ that makes you wish the rest of the film had half the vigour that this closing scene has. The social undercurrents are laid bare, the message is served, the speeches are done and the obligatory slap delivered. Inflated to the point of having swelled beyond recognition, ‘Uncle’ could have been the riveting film that it had aspired to be, in less than half its current screen time.


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