With the New Year cheers having barely faded out, we head out to the theatre to watch Omar Lulu’s ‘Dhamaka’, a dire sex comedy that has infinitesimally low doses of both its mandatory requisites. Running for a couple of hours, it starts off with its leading actor’s voice expressing his expectations regarding the film in a radio interview, which however are dashed in no time, when the film gets off to a not-so-dhamakedaar start!
This oddly gruesome thriller has the bite, but just not enough of it to keep the viewers dangling on their seat edges. Which is why, despite the spine-tingling moments here and there, ‘Underworld’ eventually leaves you impassive and indifferent.
‘Kalyanam’ makes a celebration of being lost in its formulaic twirls, and forces an unabashed repetition of household instances from a dozen romantic capers of yore. It’s a pretty tiresome marriage, as my fellow spectator insists, one of which, the jubilations are very unlikely to last long.
Arun Gopi’s debut film ‘Ramaleela’ stringently adheres to the requisites of a political thriller , and weaves a tapestry of recognized scenarios to keep the exigencies in check. He is let down by the writing though, where a palpable plot that starts off pretty well meanders into a course that offers much less cheer.
‘Avarude Raavukal’ falls short of the basic dramatic tension that drives a film forward. Running for two hours and eleven minutes, it fruitlessly tries to draw out a tissue thin thought into a feature film that sloppily lands all over the place.