‘Happy Sardar’ is a perfect example of how a probably brilliant idea on paper could evolve into a damp squib on screen. There is a fat chance that the romance in it would move you or the comedy in it would have you clutching your stomachs, and sans any real thought or notion, this Sardar and his gang brings you no joy.
The one take back that the film does offer is courtesy Berny Ignatious and the very beautiful number ‘Puthumazhayayi Vannu Nee’ from the original film is played yet again in the sequel. The rest of it is however, just a misaligned combo of horror tropes that lie scattered all over the place.
‘Carbon’ is a draining film; a confounding piece of cinema that requires as much an effort from the viewer to make sense of it, as from the film maker himself in its creation. This certainly isn’t its flaw, and where it tires the spectator out is in its decision to remain obstinately abstract throughout, conjuring up smoke swirls of obscurity and vagueness, and decisively dropping a cue here and there, driving the audience to connect together its disjointed pieces into a rational whole, and compelling them to hunt out the key to the puzzle.