In Sujith Vasudev’a ‘Autorsha’ there is an abundance that spills over, literally and which overflows along the seams. Brimming over with characters left, right and center, ‘Autorsha’ is a film that apparently has plenty to tell, and even does so, but which in the process, tips out its contents all over the place.
‘Crossroad’ is a loosely screwed in ensemble, pieces of which keep falling off every time it tries to punch in a point. It’s unlikely to be remembered as a benchmark in portmanteau films, and leads you into the hum-ho zone in no time. Strike off those last three shorts, and you might literally find yourself stranded on the crossroads with this one.