Geethu’s refusal to stick to stereotypes and her affecting reading of a love tale that tears up the social tapestry earn for ‘Moothon’ a distinctive place amidst the sparsely lit up landscape of queer cinema in the country. The howls and catcalls and the loud sniggers and the off-colour jokes in the cinema halls notwithstanding, it’s a cinematic composition that needs to be appreciated for its compassionate and unapologetically adult take on human sexuality.
‘Virus’ is an effectual ensemble piece that marvellously bonds together the pieces of a jigsaw, thereby rendering complete, a story of how fortitude eventually stamps over irrepressible fear. Emotionally pervasive and unnervingly real, It is also the kind of film that makes you go for a few extra dabs of your hand sanitizer, as you get all set to key down a review.
The incidental pleasures that Dileesh Pothan’s film ‘Thondimuthalum Driksakshiyum’ offers are many, like the sardonic wisecracks and the continual cackles, while it fundamentally holds an indelible charm inside. A luminously acted rumination on the ifs and buts of life, ‘Thondimuthalum Driksakshiyum’ has enough emotional and dramatic drive to let it qualify as a class act with exceptional intelligence and grace.