The fine intent notwithstanding, ‘Shubharathri’ does not seem to acknowledge the tremendous transformation that has occurred to cinema in this corner of the world. A bit too aged to make an impression on today’s viewers, it’s a film with a valid message that unquestionably deserved a much finer treatment.
Filmmaker Vivek proves beyond doubt that he has an eye for visual detail, and even does a brave crossover to a few alien realms, but what he seriously lacks here is a compelling tale that would keep the viewers dangling on the edge. Which is why, despite all the creepy moments, and that final mandatory twist at the end, ‘Athiran’ feels like it actually set out to be so much more than what it actually turned out to be.
The macho rhythm that Adeni attempts to work up with ‘Mikhael’ is the kind that could be passable at the moment, but forgettable soon after. Which is why despite all its attempts to be a swanky action flick, it strikes you as a charade more than anything else.
‘Ente Ummante Peru’ strikes you as a missed opportunity, with a handful of awesome performers lending their very best to a tale that does little justice to them. Despite all its earnestness it fails to connect with the viewers, and comes across as a detached, overwrought cinematic piece.