‘Dakini’ has none of the inventiveness that its trailer so blatantly suggested the film might have. At best it merely strikes you as a collection of cardboard caricatures that flit around on stage, with plenty of empty talk and emptier circumstances that leave you tremendously worn out at the end of the day.
Yahiya’s film is at best a cinematic accolade to Mohanlal, but far from a glorious one. It strikes you more as an animated and keyed up rant on how much Lalettan is adored all over, but does little justice to the deep ingrained adulation and esteem that we hold for this terrific performer and person, or to the spectacular emotion called Mohanlal that leaves numerous generations of Malayali film lovers, all over the world, hopelessly enthralled.
Dijo Jose Antony’s ‘Queen’ is a flamboyant celebration of the campus, with all the colours, vigour and liveliness intact. However, beneath all this panache and flair lurks a theme that constantly shifts tone, that is imbalanced in tenor, and which carries a faint sense of familiarity all through.