It’s a totally incoherent and embroidered universe that ‘Abhiyude Kadha Anuvinteyum’ lets its characters roam about it in. Shamelessly sentimental and cringingly syrupy, here is a film that misses its mark by a mile.
Kamal’s ‘Aami’ falls short of the requisites of an elegant biopic by a mile, and plays along like an unimaginatively scripted radio show, never really drawing you in, and never really letting you leave either. There is little of that captivating life that had enamored us here, or even less of the angst and authenticity of the woman who had chosen to live and love on her own inimitable terms.
In ‘Mayanadhi, director Aashiq Abu, armed with a dexterously penned screenplay, settles down to sensitively sketch a doomed tale of love. An impeccable reconstruction of an age-old narrative in an untested realistic setting, ‘Mayanadhi’ is the kind of film that holds a depth of meanings in those abstract gazes, a profundity of emotions in those unuttered words, and which leaves an inexplicable, seething sting at the upshot of it all.
It could only be a real zany mind that would have the nerve to start off his film the way Dominic Arun does, that within minutes has the audience dropping their jaws – either in amazement or in morbid fear of what’s in store for the next couple of hours. The effect is pretty much similar to what Terry Zwigoff accomplishes with ‘Bad Santa’, where he adeptly replaces the chubby, soft footed, white bearded old man that we have long been accustomed to, with a drunken, bad-ass, swearing champ, Billy Bob Thornton.
Basil Joseph’s tweaking of the sport movie recipe in ‘Godha’ works wonders and lifts it up straight on to a prized zone occupied by some of its triumphant predecessors. Strikingly directed and deftly written, ‘Godha’ steps up the rules of the game and wins the combat in a superb take-down.
‘Oru Mexican Aparatha’ swerves between brisk and blue with its inconsistency in tenor. Which is why when Paul finally stands tall having thrust that red flag in place, the emotions evoked are mixed – that of exhilaration but much more, of relief.
We have been through some real overwhelming films in Malayalam that have so dexterously captured the exalting spirit of the Communist ideology, and there have also been awe-inspiring movies on campus life that have since remained re-watch weekend treats to us. You cannot really blame me then for craving to grab a DVD of ‘Sarvakalashala’ and ‘Lal Salaam’ yet again, while watching Tom Immatti’s political campus flick ‘Oru Mexican Aparatha’. Continue reading “Oru Mexican Aparatha (2017) Malayalam Movie Review by Veeyen”
The urban unease that is unleashed in ‘Ezra’ is one that lurks around dark corners, and as the couple frantically tries to tide over the terror that has taken over their lives, they realize that fear finally has a meaning. Eerie and unsettling by turns, ‘Ezra’ is a chilling feature that is deftly directed, splendidly acted and elegantly shot.
What makes ‘Ezra’ decidedly dissimilar to the horror flicks in Malayalam is that the fear in it for once, is no silly business. An exorcism drama that dwells on a much recognizable theme and quite identifiable plot devices, Jay K’s ‘Ezra’ nonetheless emerges the most intensely shot horror film in Malayalam till date. Continue reading “Ezra (2017) Malayalam Movie Review by Veeyen”
Of late, my interest in films on campus politics has waned, precisely because of all the inflated glorification that one gets to see in them. Exceptions are always welcome, though the trailer of ‘Oru Mexican Aparatha’ directed by Tom Immatti, looks like it has the red flag royally flying all over it. But then with a title as that, what else does one expect? Continue reading “That Freak Voice in ‘Oru Mexican Aparatha’!”
The second teaser of the horror thriller ‘Ezra’ that has been directed by Jay K, and which stars Prithviraj Sukumaran, Priya Anand, Tovino Thomas, Sujith Shanker and Vijayaraghavan among others has been released. Things seem to be getting better with each teaser, and here is already looking forward to Feb.10! Continue reading “‘Ezra’ and the opened Dybbuk box!”