And the Oscar Goes to (2019) Malayalam Movie Review – Veeyen


‘And the Oscar goes to’ does not rise to the stature of Salim Ahmed’s former films, and while it would be unjust to indulge in a comparison as such, it is also inevitable. While it does suggest that there is nothing more magical than what could be conveyed by the medium of cinema, it delivers the said magic, but only in very brief spurts.


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Virus (2019) Malayalam Movie Review – Veeyen


‘Virus’ is an effectual ensemble piece that marvellously bonds together the pieces of a jigsaw, thereby rendering complete, a story of how fortitude eventually stamps over irrepressible fear. Emotionally pervasive and unnervingly real, It is also the kind of film that makes you go for a few extra dabs of your hand sanitizer, as you get all set to key down a review.


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Theevandi (2018) Malayalam Movie Review – Veeyen


Fellini’s take on a man wanting to take a final puff and chuck away a long-standing addiction is akin to the first smoke ever; drawing in a bit too much of a cloudy breath and holding it all in for a moment before the anticipated onset of the dreaded cough, throwing out a whole lot than one had bargained for, in spurts and spasms. And when peace is finally regained, the smoke or what is left of it, slowly dissipates into the air around.


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Aami (2018) Malayalam Movie Review – Veeyen


Kamal’s ‘Aami’ falls short of the requisites of an elegant biopic by a mile, and plays along like an unimaginatively scripted radio show, never really drawing you in, and never really letting you leave either. There is little of that captivating life that had enamored us here, or even less of the angst and authenticity of the woman who had chosen to live and love on her own inimitable terms.


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Mayanadhi (2017) Malayalam Movie Review – Veeyen


In ‘Mayanadhi, director Aashiq Abu, armed with a dexterously penned screenplay, settles down to sensitively sketch a doomed tale of love. An impeccable reconstruction of an age-old narrative in an untested realistic setting, ‘Mayanadhi’ is the kind of film that holds a depth of meanings in those abstract gazes, a profundity of emotions in those unuttered words, and which leaves an inexplicable, seething sting at the upshot of it all.


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