‘Sufiyum Sujathayum’ achieves just about half of the dramatic intensity that it originally sets out to attain, and would be remembered best for the mellifluous musical score by M Jaychandran and some remarkable cinematography by Anu Moothedath. Not denying its impeccable visual quality, ‘Sufiyum Sujathayum’ comes across as a monotonous succession of scenes that strive to blow the dust away from its worn-out theme in vain.
All said and done, ‘Anweshanam’ does move beyond the routine and warrants your attention to a great extent with its unpredictability. That it allows itself to be ingested by its own sense of intrigue is where it starts losing its feet on the ground, and where it tumbles down as a verbose thriller that it should never have been.
With all the human presence, it’s the loud honking, smoke puffing monster centipede of a truck that grabs and keeps your attention all along. Despite a very odd guess-the-man game that plucks the fun out of it, ‘Overtake’ is a daring visual adaptation that does have its few moments.
‘Crossroad’ is a loosely screwed in ensemble, pieces of which keep falling off every time it tries to punch in a point. It’s unlikely to be remembered as a benchmark in portmanteau films, and leads you into the hum-ho zone in no time. Strike off those last three shorts, and you might literally find yourself stranded on the crossroads with this one.
It seems to be raining title misfires and Leo Thaddeus’ latest film ‘Oru Cinemakkaran’ swiftly adds itself to the club. Granted that there is the incessant talk of being in films and that the principal character is a filmmaker aspirant, and yet ‘Oru Cinemakkaran’ is as much about cinema as fulsome has to do with being full.
Even if you choose not to pay heed to the believability factor, ‘Careful’ remains resolutely rooted in mawkish mediocrity. It hosts a promising idea that is mostly lost in execution, and comes across as a hurriedly scripted didactic film on traffic rules.