‘Helen’ triumphantly utilizes a minimalist terror setup to set your adrenaline up and running in no time. A fine script, a terrific cast and some real impressive direction ensure that this one is a chiller, and a shiver inducing one at that.
‘Manoharam’ has those sparks that you cannot definitely miss, but leaves you wanting for much more. It’s surely not without its charms, and yet it rarely rises above the level of its conventional premise.
Appearing laboured and disconnected, and carrying very little intrigue, ‘Love Action Drama’ is a perfect example of what could be termed as fluff entertainment. There is barely a silent moment in this almost two and a half hour long sight and sound blast, and all you keep wishing for amidst all the cacophony is that it had a sound story to tell as well.
Despite the showers having finally arrived after playing tardy for a while and the chill in the air around, film maker Girish A D props up a ripe watermelon right before you and slices off its sturdy top, unravelling the bright red pith that lies within, studded with glistening black seeds. Snatching a ladle off the shelves, he drives it straight in, scooping out oodles of mushy melon and dropping them straight onto a pitcher, even as you sit and watch in amazement, your mouths all set for a ship sail and your throats a tad drier than usual.
‘Aravindante Athidhikal’ has a plot that is very basic, but filled with characters that are lively enough to sustain viewer attention. It might not be the most original movie ever either, but is a sweet retelling of a familiar tale, that still leaves a few giggles and a faint gulp down your throat.
‘Aana Alaralodalaral’ tries to make the best of what it has, but the sad thing is it doesn’t have much, and the little it has, has an outmoded air to it. The ultimate result of this trumpet that lasts for a couple of hours but which seems and sounds much longer, is nothing but mediocrity, and that too, stacks of it.
It seems to be raining title misfires and Leo Thaddeus’ latest film ‘Oru Cinemakkaran’ swiftly adds itself to the club. Granted that there is the incessant talk of being in films and that the principal character is a filmmaker aspirant, and yet ‘Oru Cinemakkaran’ is as much about cinema as fulsome has to do with being full.
‘Aby’ is a film that does display tremendous visual craft, and the style is inarguably there. However, beneath all that panache, is a lumbering tale that runs a time-honored route with its wheels falling off along the way.
One gets to see a meadow full of blue spring blooms, as the curtains are raised in Srikant Murali’s ‘Aby’, and a boy runs across it, finally driving a dragonfly, perched on a small flower, onto a flight. As the tiny insect takes to the air, the boy looks at it wonder eyed, spreading his arms sideways and fluttering them as if they were wings. Continue reading “Aby (2017) Malayalam Movie Review by Veeyen”
Srikant Murali’s directorial debut ‘Aby’ that stars Vineeth Sreenivasan in the title role is all set to grace the screens this week. The film based on a story by Santhosh Echikkanam, talks of a boy’s intense desire to fly. Continue reading “Aby: Those Dreams that will Fly this Week!”