Aanum Pennum (20210 Malayalam Movie Review – Veeyen


This is a collective that offers three films in the increasing order of effectiveness, starting off with quite passable stuff at one end and ending with an engaging component at the other. As such, it does not spin off much in an interesting fresh direction, and for the most part makes do with some disposable stuff that tries to pass off as observations on gender equations.


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The Priest (2021) Malayalam Movie Review – Veeyen


It gets increasingly difficult with every passing year to get the tropes of a supernatural horror flick right. Debutante director Jofin T Chacko, must for sure have known what he was getting himself into, and his film ‘The Priest’ strains to achieve what many of his predecessors had set out to. But Jofin’s ambitious film never really springs to life, and there are quite a few reasons why it doesn’t.


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Love (2021) Malayalam Movie Review – Veeyen


‘Love’ attempts a horrific vivisection of a dysfunctional marriage and deftly works on the seeds of depressive confusion that it sows. Confronting their primal fears, the couple in ‘Love’ has a go at each other desperately, almost hysterically, letting us take a sneak peek at the monsters that lurk within them, that would stop at nothing until they have struck down their adversary dead. Another triumph from Khalid Rahman, this one!


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Sufiyum Sujathayum (2020) Malayalam Movie Review – Veeyen


‘Sufiyum Sujathayum’ achieves just about half of the dramatic intensity that it originally sets out to attain, and would be remembered best for the mellifluous musical score by M Jaychandran and some remarkable cinematography by Anu Moothedath. Not denying its impeccable visual quality, ‘Sufiyum Sujathayum’ comes across as a monotonous succession of scenes that strive to blow the dust away from its worn-out theme in vain.


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Paapam Cheyyathavar Kalleriyatte (2020) Malayalam Movie Review – Veeyen


‘Paapam Cheyyathavar Kalleriyatte’ is mostly like the character John (Madhupal) in it who spends almost all his screen time idle, smoking away in his room. But when he finally opens his mouth to indulge in a sermon of sorts, you wish he was smoking instead. The film too has a lot of powerhouse tactics in mind, but little bite to go with it.


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Trance (2020) Malayalam Movie Review – Veeyen


‘Trance’ does address a theme that is radically important and proffers a compelling investigation into the unexplored realms of religion, faith and belief. But it’s also a movie that eventually gets choked by the mistiness that pervades its plot and design, and ends up a pale shadow of the head turner flick that it should have been.


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Ayyappanum Koshiyum (2020) Malayalam Movie Review – Veeyen


The dramatic pressure is way too grim, and the film grinds on persistently, finally ending up a riveting piece. ‘Ayyappanum Koshiyum’ remains without doubt a commendable endeavour, whichever way you look at it, but it just falls short of entering my top favourite list, because it does take a bit too long to get where it wants to be.


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