There are bound to be several viewers out there who would consider ‘Aadya Rathri’ as undamaging, passable entertainment, which indeed it is. But it has nothing new or fresh to bring to the genre, and seriously suffers from the limitations of its imagination.
Despite the showers having finally arrived after playing tardy for a while and the chill in the air around, film maker Girish A D props up a ripe watermelon right before you and slices off its sturdy top, unravelling the bright red pith that lies within, studded with glistening black seeds. Snatching a ladle off the shelves, he drives it straight in, scooping out oodles of mushy melon and dropping them straight onto a pitcher, even as you sit and watch in amazement, your mouths all set for a ship sail and your throats a tad drier than usual.
The question that ‘Evide’ harbours in its title is answered in no time by its sheer obviousness. And for a mystery thriller as this, it could prove fatal, and expectedly leads to its crack-up in no time.
‘Udaharanam Sujatha’ is an agreeable tale, the logic and realism of which, could forever be questioned. And yet this is the kind of genial material with which upbeat and buoyant films as these are made, and dreams – both mine and yours – are spun.