This is a collective that offers three films in the increasing order of effectiveness, starting off with quite passable stuff at one end and ending with an engaging component at the other. As such, it does not spin off much in an interesting fresh direction, and for the most part makes do with some disposable stuff that tries to pass off as observations on gender equations.
Yahiya’s film is at best a cinematic accolade to Mohanlal, but far from a glorious one. It strikes you more as an animated and keyed up rant on how much Lalettan is adored all over, but does little justice to the deep ingrained adulation and esteem that we hold for this terrific performer and person, or to the spectacular emotion called Mohanlal that leaves numerous generations of Malayali film lovers, all over the world, hopelessly enthralled.
At the end of an extremely long narration, vice is vanquished and righteousness triumphs. And you look back at it and what you see is an overly self indulgent film that never really knew where to knock it off, and which has instead evolved into an easily foreseeable experience that is obsessed with its own importance.
Ever since the high voltage trailer of ‘Tiyaan’ was released a couple of days backs, expectations regarding the film have sky rocketed. Here are five reasons why I believe ‘Tiyaan’ might be worthy of all the attention that it has already garnered!