Despite the very obvious passion that it holds for the genre, M Padmakumar’s ‘Mamangam’ is miles away from the estimable cinematic piece that it could have been. With a tightened format and a focused script, this is a film that could have been as magnificent a fest as ‘Mamangam’ must have been, but which goes up in flames despite an exorbitant budget and a stellar cast.
‘Parole’ is a film that hardly has anything original or memorable about it. Trying hard to cash in on an actor’s stardom, it throws in liberal doses of political and familial sentiments hoping to workup the goose bumps, none of which serves any purpose.
While it remains that there is little wrong with blatantly brandishing a view point through a film, to remain blind to the manifold complexities and fine nuances that do not let the real world be easily partitioned into clear cut cubicles of extremities, could prove to be fatal. This takes a toll on the believability of the film, without doubt, and strips it of the possibilities of reflection, if any.
‘Puthan Panam’ is a film that is conspicuous by the absence of a director and a writer whom we hold close to our hearts. It’s a lackadaisical film that is as cold as the revolver around which it revolves; a tangled hodgepodge of ideas that is stretched to ridiculous extremes.