The feminist ideologies that ‘Raamante Eden Thottam’ puts to the fore accentuate that life for a woman lies further beyond the restrictive realms of a despondent marriage. There is a fierce sense of gravity that shrouds the smile on Malini’s face as she steadily walks towards the camera in the final scene; and it is probably this bright moment that would make us overlook all those detracting blotches that had marked her long journey.
The biggest realization that ‘Take Off’ leaves in its wake is the thought that even as I key in this word in the comfy confines of my study room, thousands of horrified humans elsewhere are being subjected to unimaginable terror and torment for no fault of theirs. Which is what makes Mahesh Narayanan’s film an upsetting and thorny experience, but one without which your film year is bound to remain incomplete.
As the border gates between Iraq and Kurdistan are thrown open, the worn-out Indian nurses who had been through hell fire and back hurriedly stagger across the border towards the Indian tricolour fluttering at the other side, and then break into a run, respite and joy writ large on their faces. This stellar climatic scene of Mahesh Narayanan’s ‘Take Off’ is perhaps the best that I have seen in recent years, and one that could only be watched with goose bumps all over. Continue reading “Take Off (2017) Malayalam Movie Review by Veeyen”
‘Take Off’ is an upcoming Malayalam film, directed by Mahesh Narayanan, and which stars Kunchacko Boban, Fahadh Faasil and Parvathy in key roles. Here are the 5 reasons, why I really look forward to watching this film. Continue reading “5 Reasons to Look Forward to Mahesh Narayanan’s ‘Take Off’!”