Amal Neerad’s ‘Bheeshma Parvam’ is an epic opera mounted on a gargantuan canvas that talks of bonds and betrayals and reeks of blood. With sprawling subject matter that rightly captures the ambition of its writers, ‘Bheeshma Parvam’ is a delightful ode to some of the best mobster cinematic works to have come out this side of the world.
All said and done, ‘Anweshanam’ does move beyond the routine and warrants your attention to a great extent with its unpredictability. That it allows itself to be ingested by its own sense of intrigue is where it starts losing its feet on the ground, and where it tumbles down as a verbose thriller that it should never have been.
The humour is intermittently effective, and at times all over the place; there is so much happening on one side, and so little on the other. The context is as unreal as it gets, plenty of opportunities are missed, and grace is far from sight.
Filmmaker Vivek proves beyond doubt that he has an eye for visual detail, and even does a brave crossover to a few alien realms, but what he seriously lacks here is a compelling tale that would keep the viewers dangling on the edge. Which is why, despite all the creepy moments, and that final mandatory twist at the end, ‘Athiran’ feels like it actually set out to be so much more than what it actually turned out to be.
‘Varikkuzhiyile Kolapathakam’ makes for gripping viewing, and the atmospheric skill that the director displays in the film is admirable. With a brisk running time of not much more than a couple of hours, it unspools a tale of mystery that retains your focus right on the screen.
The well worn plot and the familiar characters in the film are impossible to root for. Sreekrishnan’s ‘Paviettante Madhurachooral’ strives to drive out the angst of its leads on to its viewers, but hardly scores.
‘Johny Johny Yes Appa’ is neither funny nor edgy and leaves you high and dry at the end of its running time. Undermined by emotional incoherence and comic incompetence, this is an unfocussed film that fails to hit its target by a hundred miles.
There is no denying that the premise of ‘Aadhi’ is one that has been around for ages in cinematic history; you are the sole witness to a horrific incident, you get implicated in it and you run for your dear life, all the while striving to disentangle yourself from the terrible mess that you suddenly find yourself embroiled in. It has all been said and done, and Jeethu Joseph’s script of ‘Aadhi’, strictly follows the prescription, in plotting and characterization.
Had it been as judicious in the selection of its fundamental plot line as it had been in the choice of its design, ‘Honey Bee 2.5’ could have worked wonders. As such, it remains a film that never fully explores the limits of its own absurdness and instead makes do with a crackpot try-out that leaves an underdone taste in your mouth.
‘Avarude Raavukal’ falls short of the basic dramatic tension that drives a film forward. Running for two hours and eleven minutes, it fruitlessly tries to draw out a tissue thin thought into a feature film that sloppily lands all over the place.
Despite its many flaws, ‘Honey Bee’ did manage to drive in super keyed up youngsters to the cinema halls. Something which its sequel might not be able to achieve, given that it comes across as an exhausting and mostly needless retread that shouldn’t have been attempted in the first place!
Lal Jr’s third directorial outing, ‘Honey Bee 2: Celebrations’ is a film that gawks and squints back at you, for having decided to give it a go. I have been no great fan of ‘Honey Bee’ either, which is perhaps why, the sequel struck me as an unfunny film that will probably even have fans of the original film running for cover. Continue reading “Honey Bee 2: Celebrations (2017) Malayalam Movie Review by Veeyen”