The brilliant source material is what makes Ajith Kumar’s directorial debut a forceful watch that depicts the tragic underside of a land that forever leaves fresh streaks of blood all over itself even before the older stains have dried off. It’s a sobering, significant film that draws you right into the turbulence that it depicts, and which throws a multitude of questions on your face leaving you tussling with the gruelling answers.
There are a few masterly strokes of the film maker that are on display in ‘Varnyathil Aashanka’ that point at how compelling a film it could actually have been. It’s a figure of speech that gets its act only partly right, and its hesitance to fully embrace its goofiness, renders it a much lesser movie than one anticipates it to be.
‘Kadamkatha’ has little to proffer apart from a few faux insights that make an appearance towards the very end. And it’s a very long wait indeed for that final statement, with a screenplay that runs along a done-to-death trail for almost all of its running time.
‘Alamara’ states plainly that all those that are involved in the film deserved a material much better than this. Which is why, despite an impressive line up of a cast and crew, ‘Alamara’ barely rises above the fascinating concept at its core.
Mithun Manuel Thomas’ ‘Alamara’ is a film that is dragged down by some sloppy writing and routine execution. With almost zilch inventive fun moments, ‘Alamara’ strikes a low in both style and substance.
An almirah, gifted by the bride’s parents wreaks havoc in the lives of a freshly wedded couple Arun (Sunny Wayne) and Swathi (Aditi Ravi). With their respective parents adding to the ever escalating tension, Arun and Swathi realize pretty early in their married lives, that wedlock could indeed turn out to have a bolt that isn’t easily unfastened. Continue reading “Alamara (2017) Malayalam Movie Review by Veeyen”