At its start, ‘Pada’ does purport to be a story of the four men at the centre of action, but eventually widens up until it reveals itself to be an exemplary treatise on the displaced tribal populations across the world, who have fought injustice for years and continue to do so. As such, it is a much valued cinematic piece that advocates for a deeper consideration on our part and prompts us to come up with our own versions of the truth.
‘9’ could have done immensely better had it kept its focus on the sci-fi element that is probably one of the most unexplored realms in Malayalam cinema. What ruins it is the psychological drivel that it succumbs to, and the subsequent concoction that emerges that pleases fans of none of the genres.
‘Odiyan’ is a film that needs to be analysed for what it was to be, and what it actually turned out to be. It’s a film that lets a captivating folklore wash effortlessly down a drain, its magic mercilessly muddled by the murk and mud around.