Amal Neerad’s ‘Bheeshma Parvam’ is an epic opera mounted on a gargantuan canvas that talks of bonds and betrayals and reeks of blood. With sprawling subject matter that rightly captures the ambition of its writers, ‘Bheeshma Parvam’ is a delightful ode to some of the best mobster cinematic works to have come out this side of the world.
The one take back that the film does offer is courtesy Berny Ignatious and the very beautiful number ‘Puthumazhayayi Vannu Nee’ from the original film is played yet again in the sequel. The rest of it is however, just a misaligned combo of horror tropes that lie scattered all over the place.
‘Kumbalangi Nights’ is much more than an account of four brothers on a frenzied quest to find themselves and each other. Drenched in a matchless mix of human emotions that range from hilarity to hopelessness, it’s a superb film that drives you into raptures and which is infused with figurative undertones, structures and symbols that hold a striking mirror to the times that we live in.
Bilahari’s ‘Allu Ramendran’ is a scaled down ‘Maheshinte Prathikaram’ that talks of how individual enmity and personal vendetta could rule and ruin human lives, when it turns obsessive and fanatical. What it lacks are the emotional nuances and that the fine sensibilities latter film had in abundance.
While there has been no dearth to films set on an engineering campus of late, ‘B.Tech’ thankfully doesn’t stick to the common campus caper norms. After an easy, non-eventful former half, the film pulls out a present-day social issue out of its backpack and does a pretty okay job at brandishing it without much of a fuss.
It’s a nothing plot that evolves into nothing that messes up ‘Goodalochana’. Strange and sad, since all that colour, energy and flair that it had in store, looks regrettably frittered away in this stratagem sans a strong spine.
‘Parava’ is a charming coming-of-age tale with a liberal dose of backtales thrown in. It does gallantly buck time-honoured storytelling strategies with innovative modes of its own, and yet leaves you with that faint regret that despite all its artistry and ambition, it’s not that absolute, flawless piece of cinema that would have left you in a daze.
Despite its many flaws, ‘Honey Bee’ did manage to drive in super keyed up youngsters to the cinema halls. Something which its sequel might not be able to achieve, given that it comes across as an exhausting and mostly needless retread that shouldn’t have been attempted in the first place!
Lal Jr’s third directorial outing, ‘Honey Bee 2: Celebrations’ is a film that gawks and squints back at you, for having decided to give it a go. I have been no great fan of ‘Honey Bee’ either, which is perhaps why, the sequel struck me as an unfunny film that will probably even have fans of the original film running for cover. Continue reading “Honey Bee 2: Celebrations (2017) Malayalam Movie Review by Veeyen”